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- Jordi Benito Les Portes de Linares (The doors of Linares)Coordinated by Antoni Serra
- Les portes de Linares stands out for the strength of its spatial conception, for the meticulous choice of materials, the metaphorical condition of the elements represented –stones, animals, pianos– and the unequivocal use of a permanently activated stage space.
- €30,00
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- OEI #90-91 Sickle of Syntax & Hammer of Tautology. Concrete and Visual Poetry in Yugoslavia, 1968–1983Edited by Sezgin Boynik
- By means of interviews, translations, reproductions, and theoretical and historical statements, OEI # 90-91 offers a picture of a very lively scene of concrete and visual poetry in Yugoslavia, which unfortunately is not as recognized interna-tionally as it would deserve. Hoping that OEI # 90-91 could contribute to this task in a substantial way, we present episodes from the early years of OHO formation and its complex theories of words and things; an interview with Rastko Močnik on programmed art and political formalism; militant polemics of Goran Babić; Signalist contradictions; subjective structural devices of Judita Šalgo; zaum experiments of Vojislav Despotov; detective meta-texts of Slavoj Žižek; poetic self-management studies of Vujica Rešin Tucić; a feminist historicisation of Ažin school for experimental poetry; democratisation of visual poetry by Westeast; selections from special issues of the journals Pitanja, Problemi, Ulaznica, Dometi, Delo, Koraci, Vidik, Pegaz, and many other materials translated here for the first time and presented in one publication.
- €29,90
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- OEI #80-81 The Zero AlternativeEdited by Jonas (J) Magnusson, Cecilia Grönberg
- As a "source of enthusiasm, dynamism and motivation” (Isabel Alves), Ernesto de Sousa created new connections between all sorts of disciplines, forms, materials and social contexts. In its 640 page long textual and visual montage, including a series of new essays and translations of key essays, as well as a lot of archival material, OEI #80-81 also looks at the practices of a number of De Sousa’s fellow "aesthetic operators” (Alberto Carneiro, Túlia Saldanha, Álvaro Lapa, Fernando Calhau, Lourdes Castro, Ana Vieira, Ana Hatherly, E.M. de Melo e Castro, António Barros…). At the same time, OEI #80-81 encompasses texts on magazines such as Poesia Experimental, Operação, Nova, A Urtiga, and Alternativa; and works by artists from younger generations such as Isabel Carvalho, Paulo Mendes and Mariana Silva.
- €45,50
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- Small Architecture / Nature Architecture
- Until now available only in Japanese, this edition comprises a lucid theoretical manifesto for humble, sustainable architecture that is sensitive to materials and to place. Written in the wake of the 2011 tsunami which devastated parts of northern Japan, the essays take on a particular poignancy. Each book features a signature of original drawings produced by Kengo Kuma especially for this English-language release.
- €15,00
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- Eero Saarinen by architects seriesSandra Dachs, Patricia de Muga, Laura García Hintze, Nuria Jorge
- Criticized in his own time for having no identifiable style, Saarinen developed a remarkable range of work, which depended on colour, form and materials. Saarinen showed a marked dependence on innovative structures and sculptural forms, but not at the cost of pragmatic considerations. He moved back and forth freely between the International Style and Expressionism, utilizing a vocabulary of curves and cantilevered forms, some of which have remained in production and became twentieth-century furniture icons.
- €19,90
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- Eileen Gray by architects seriesSandra Dachs, Patricia de Muga, Laura García Hintze, Nuria Jorge
- Eileen Gray was to “stand alone” throughout her career, first as a lacquer artist, then a furniture designer, and finally as an architect. At a time when other leading designers were almost all male and mostly members of one movement or another—whether a loose grouping like De Stijl in the Netherlands—she remained staunchly independent. Her design style was as distinctive as her way of working, and Gray developed an opulent, luxuriant take on the geometric forms and industrially produced materials used by the International Style designers, such as Le Corbusier, Charlotte Perriand and Mies van der Rohe.
- €19,90
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- Alvar Aalto by architects seriesSandra Dachs, Patricia de Muga, Laura García Hintze, Nuria Jorge
- Aalto’s Modernism entailed the use of natural materials, warm colors, and undulating lines, and he is considered an important early exponent of Organic Design as a result. Of his design work outside of architecture, Aalto’s vases, lamps, glassware and laminated bent-plywood furniture (pioneered and produced through the design company he co-founded, Artek are equally esteemed. Iconic pieces include the Savoy Vase, the Paimio Chair and the Beehive Lamp. This monograph on Aalto’s highly collectible furniture designs expands our understanding of the diverse abilities of this influential architect/designer.
- €19,90
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- Charlotte Perriand by architects seriesSandra Dachs, Patricia de Muga, Laura García Hintze
- Some of the prototypes she produced for the Salon d’Automne held two years later —Equipement intérieur de l’habitation—a project signed by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, provoked a chain reaction that has not yet come to an end. In 1940, Perriand was invited to Japan to be the offi cial advisor on industrial design for the Ministry of Trade and Industry. She recommended that the Japanese turn their eff orts to creating products for export to the West. Unfortunately, her stay was cut short by the outbreak of World War II. Unable to travel back home due to the naval blockades, she stayed in Vietnam for four years until the war ended. Th ere she learned about weaving, woodwork, rattan, and other natural products. After this experience, she turned to the radical idea of using more rustic materials such as bamboo and cane to create more affordable, mass-produced furniture.
- €19,90
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- Charles and Ray Eames by architects seriesSandra Dachs, Patricia de Muga, Laura García Hintze
- In 1946, Evans Products began producing the Eames molded plywood furniture. Their iconic molded plywood chair was called the chair of the century by the architectural critic Esther McCoy.
In 1949, Charles and Ray designed and built their own home in Pacific palisades, their design and imaginative use of materials making this house a mecca for architects and designers internationally.
After the war, the Eameses continued to create new furniture designs, such as the Fiberglass Chairs 1959, the famous Lounge Chair and Ottoman 1956, the Time Life stool 1960, the 3473 sofa 1964 and the seating for Dulles and O’Hare airports. - €19,90
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- Jaume Plensa WorksCarsten Ahrens
- Besides an intense activity in the field of sculpture during the last two decades in which he uses materials such as glass and brick to create architectural spaces and other pieces both small and large, the catalan artist Jaume Plensa has showed a strong inclination towards theorization, which is reflected in the progressive conceptualization of his work.
- €49,00