In the trail of Alberto Burri and in parallel to artists with practices close to arte povera, Noguera began his career in the 1970s popularizing what we know as the"muddy", which consists of covering objects and surfaces with liquid-clay. In that same decade, he was a pioneer by incorporating photocopies into his work and by disseminating the idea of the archive as a ready-made from found photographs and films. He has carried out work on the conceptual processes of photography and electrography while practicing the installation and the performance art.