Echoing Exhibition Views
Subjectivity in Post-Digital Times
Edited by A.R. practice (Ann Richter and Agnieszka Roguski)

Contributions by João Enxuto and Erica Love, Calla Henkel and Max Pitegoff, New Noveta/Yair Oelbaum, SANY, Hanna Stiegeler, Jasmin Werner, and Jonas Paul Wilisch
Texts by Melanie Bühler, Erika Landström, and Agnieszka Roguski
Introduction by A.R. practice


In stock (can be backordered)**stock child *

When the exhibition enters the digital realm, as it is increasingly happening now when the display of art and culture can be enjoyed individually behind screens, then how does the exhibition view diffuse optically, technically, and culturally? And how does this transformation echo the new understanding of subjectivity?

Contemporary Art, Theory / History / Criticism
Echoing Exhibition Views. Subjectivity in Post-Digital Times explores the different medialities and intersubjective shifts that follow the moment of seeing a physical exhibition today. It takes the digitized exhibition view as starting point for artistic and theoretic reflections on post-digital culture, hyperreality and its relation to subjectivity. Focusing on the transformative potential of the exhibition as circulating view, this publication asks how it transfers again into a subjective mode of perspective through the artistic lens. So what is at stake when an exhibition circulates as a digital view? And how does its digital presence in turn affect and transform the subjective experience of seeing a physical exhibition? This publication gathers artists, curators, and writers who frame these questions through a variety of practices and media. It thus addresses a self-reflexive and critical approach on medium and format—understanding the exhibition as a fluid and diverse view.

Ann Richter is co-founder of Studio Pandan, an agency for graphic design and art direction. She also teaches occasionally at art universities and gives talks and workshops.
Agnieszka Roguski works at the intersection of curating and research. She teaches at different universities and worked at the WATTIS Institute San Francisco, PRAXES Center of Contemporary Art Berlin and the Academy of Fine Arts Leipzig, Department for Cultures of the Curatorial.

80 pages
Paperback, 17x24 cm
Onomatopee, 1st edition 2020
ISBN 9789493148239