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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an “exhibition“? And how should we write about the new types of post-digital images we are seeing (in them)?
Paperback, 12.7x17 cm
Floating Opera Press, 1st edition 2022