Passing Images: Art in the Post-Digital Age

Marie-France Rafael

22,60

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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an “exhibition“? And how should we write about the new types of post-digital images we are seeing (in them)?

Essay / Literature, Theory / History / Criticism
Description
In Passing Images: Art in the Post-Digital Age, Marie France Rafael provides an attempt to write with art, rather than just about it. Rafael aims to retrace the living spirit of art and the procedural-performative experience of art in her writing Marie-France Rafael is a tenure-track professur at the Zurich University of the Arts. She studied art history and film studies in Berlin and Paris, and holds a PhD in art history. From 2011 to 2015, she was a research associate at the Free University of Berlin and until 2019 taught at the Muthesius University Kiel, Department of Spatial Strategies/Curatorial Spaces. Her inter- view book with French artist Brice Dellsperger, On Gender Performance, was published with Floating Opera Press in 2019.
92 pages
Paperback, 12.7x17 cm
English
Floating Opera Press, 1st edition 2022
ISBN 9783982389424