Languages and formats that are deliberately or accidentally marginalised—the snubbed genres, the outlawed subjects, the troubling subjectivities, the excessive, the minimal, the unprofitable, and the unfathomable—are aborted, pushed underground, or stubbornly persist to find a place in the sun.

This book presents a rich variety of writings, research projects and artworks that reflect on contemporary practices and histories of publishing, with a strong focus on the Arab world and resonant international practices. From the hand-drawn, self-promoting banner to the relatively established independent publishing house, alternative publishing practices show both the breadth of possibility, as well as the great strength and vulnerability, of some of our most creative and daring civic propositions.