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At the end of the nineties, Fernando Bryce (Lima 1965) abandoned painting to devote himself exclusively to drawing, making a work based on what the artist himself calls the method of mimetic analysis e.g. copies in Chinese ink of photographs, newspaper clippings, advertisements, advertising or popular propaganda, among others, from archives and libraries.
Paperback, 21x30 cm
Polígrafa, 1st edition 2009