Ina Conzen writes about Schlemmer’s synthesis of the organic and the artificial, of the natural and the abstract; Franz Anton Cramer considers the Triadic Ballet as a hybrid that the theatrical avant-garde repeatedly tried out new approaches to, and Gerda Breuer portrays the stages of Schlemmer’s »inner emigration«, which ultimately brought him to a paint factory in Wuppertal and into conflict with Willi Baumeister. »Schlemmer!« is published on occasion of the exhibition »Human – Space – Machine« at Bauhaus Dessau, opening December 5, 2013.